The SFWeekly featured a short review of my show at the Paul Thiebaud Gallery this week. It is by Jonathan Curiel.
The street is the inspiration for another noteworthy Oakland artist who’s exhibiting in San Francisco. At Paul Thiebaud Gallery, painter Jeff Bellerose shows off his skill as an interpreter of architectural forms and the enthralling angles and sight lines they can create against crowded skylines, deserted corridors, glowing streetlights, moving waterways, and the occasional tree. New York’s streets and bridges are the star of the exhibit “Jeff Bellerose: An Introduction — Recent Paintings.” Anyone who’s walked around Manhattan’s less touristy areas on a Sunday afternoon or evening, when other people disappear and the shadows create unique apertures, will recognize the scenes and moods that Bellerose layers onto his canvases. Sky, for example, has the viewer looking up at tall buildings that cascade toward a turquoise atmosphere. Bellerose’s painting cuts off the scene at an odd angle, so that the buildings — in effect, a triangle and two parallelograms — tuck the viewer into place. The forms create a feeling of intense space and dimension.
“A lot of my paintings are from memory,” says Bellerose, a self-taught painter whose parents paint professionally. “I use a photograph for detail, but a lot of it is I see something when I’m walking that I really like, and what I see is usually something about light or contrast or shapes and shadows, and something about the mood and feel of it.”
Bellerose’s paintings and Colla’s artwork both revel in a kind of urban impressionism. While Colla’s work channels a sense of defiance and anti-commercialism, Bellerose’s work celebrates the textures that exist in cities if you just look around. The exhibits are entirely complementary, even if — at first glance — they seem to have nothing in common.